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DescrizioneThe scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

DescrizioneThe scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

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DescrizioneThe scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

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DescrizioneThe scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

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DescrizioneThe scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

DescrizioneThe scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

DescrizioneEuropean International model Zoi is so seductive in this video by Holly Randall. Half Greek, half Scottish and one hundred percent beautiful, Zoi is transcendent in a sheer bra, panties and thigh-highs – and in the nude, spread out on the satin sheets, she’s straight out of our wildest dreams. She slips out of her bra and panties, running her hands over her breasts, the fullness of her hips and thighs – right there on the bed, in nothing but a pair of thigh-highs, she’s more than ready to show you everything she’s got. “Sex is always better in a relationship,” says Zoi. “I’m a strong woman, so I like a strong sexual partner.” Anything you want, Zoi – you've got it.

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DescrizioneIts Madelyns anniversary and all she wants to do is chill. Its too damn hot, so she just lounges around the house in her lacey lingerie, until she hears a knock at the door. She hopes its her boyfriend, and it is! Or is it? His face was covered by a bouquet of roses, but it turns out it was her bfs friend Ike. He came to deliver the flowers since he was going to be a little late today. Madelyn is super pissed, but has to show Ike some shit she found on her bfs computer, she thinks he might be cheating on her. Before she can show Ike the dirt, he spots some anal beads laying on the couch. WHAT ARE THOSE? Turns out she had all these plans to get butt fucked for her anniversary, so she was trying to get a head start by stretching out her brown eye before hand. Now that theres a cock in the vicinity, she cant wait any longer. She practically forces Ikes cock into her asshole Greek style and wont let him stop til he cums. Ike rammed that little poop chute with no remorse, and facialized her with the same attitude. An anniversary to remember for sure!

DescrizioneIts Madelyns anniversary and all she wants to do is chill. Its too damn hot, so she just lounges around the house in her lacey lingerie, until she hears a knock at the door. She hopes its her boyfriend, and it is! Or is it? His face was covered by a bouquet of roses, but it turns out it was her bfs friend Ike. He came to deliver the flowers since he was going to be a little late today. Madelyn is super pissed, but has to show Ike some shit she found on her bfs computer, she thinks he might be cheating on her. Before she can show Ike the dirt, he spots some anal beads laying on the couch. WHAT ARE THOSE? Turns out she had all these plans to get butt fucked for her anniversary, so she was trying to get a head start by stretching out her brown eye before hand. Now that theres a cock in the vicinity, she cant wait any longer. She practically forces Ikes cock into her asshole Greek style and wont let him stop til he cums. Ike rammed that little poop chute with no remorse, and facialized her with the same attitude. An anniversary to remember for sure!

DescrizioneIts Madelyns anniversary and all she wants to do is chill. Its too damn hot, so she just lounges around the house in her lacey lingerie, until she hears a knock at the door. She hopes its her boyfriend, and it is! Or is it? His face was covered by a bouquet of roses, but it turns out it was her bfs friend Ike. He came to deliver the flowers since he was going to be a little late today. Madelyn is super pissed, but has to show Ike some shit she found on her bfs computer, she thinks he might be cheating on her. Before she can show Ike the dirt, he spots some anal beads laying on the couch. WHAT ARE THOSE? Turns out she had all these plans to get butt fucked for her anniversary, so she was trying to get a head start by stretching out her brown eye before hand. Now that theres a cock in the vicinity, she cant wait any longer. She practically forces Ikes cock into her asshole Greek style and wont let him stop til he cums. Ike rammed that little poop chute with no remorse, and facialized her with the same attitude. An anniversary to remember for sure!

DescrizioneThese little cheer vixens are totally over their dads forcing them to live out their failed dreams of being cheer gods. Training is way too tough and nobody has time for that! Luckily Alexa and Molly are devious enough to devise a plan. They decide to sneak their panties off and do the infamous D-I-C-K chant! What a view the dads got of their young daughters beautiful pussies. Alexa takes the lead and lets the daddy’s know that the park wont cut it for them to practice their extra special super secret moves. In part 1, Alexa lures Molly’s daddy into the bedroom. She wastes no time time impress papa cheer coach. She drops neck right away and her head performance gets a 10 out of 10! The flexibility of her tight pussy was nothing short of olympic. Our cheer coach actually had some pretty good moves for a washed up old perv. After a long day of fucking and cheer training, nothing is more well deserved than a cool stream of jizz right across your face to know you gave it your best!

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DescrizioneOnce this this cutie with an exotic Greek name settled on my bed for her fake interview I knew I had to fuck this gal no matter what. We had a nice chat and I used all my charms and a good money offer to have her spreading her beautiful shaved pussy for me, sucking my dick and letting me nail her right there. Damn, that was a great fuck! I love 'em tight nubile chicks who know their way around dick and can ride it like their careers depend on it.

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DescrizioneI officially found my favorite girl for the bus today. This is Gulliana is half Italian and half Greek. This girl was so fucking exotic with killer legs and ass and she hoped on the bus with the intention of showing us all. Anyway we made our money offers which eventually led to Brick eating her out for like half of an hour until I had to tell him to stop already and start fucking her! It was one of the most intense scenes I had to film and couldn't keep thinking of jumping right in.

DescrizioneI officially found my favorite girl for the bus today. This is Gulliana is half Italian and half Greek. This girl was so fucking exotic with killer legs and ass and she hoped on the bus with the intention of showing us all. Anyway we made our money offers which eventually led to Brick eating her out for like half of an hour until I had to tell him to stop already and start fucking her! It was one of the most intense scenes I had to film and couldn't keep thinking of jumping right in.

DescrizioneI officially found my favorite girl for the bus today. This is Gulliana is half Italian and half Greek. This girl was so fucking exotic with killer legs and ass and she hoped on the bus with the intention of showing us all. Anyway we made our money offers which eventually led to Brick eating her out for like half of an hour until I had to tell him to stop already and start fucking her! It was one of the most intense scenes I had to film and couldn't keep thinking of jumping right in.

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DescrizioneI officially found my favorite girl for the bus today. This is Gulliana is half Italian and half Greek. This girl was so fucking exotic with killer legs and ass and she hoped on the bus with the intention of showing us all. Anyway we made our money offers which eventually led to Brick eating her out for like half of an hour until I had to tell him to stop already and start fucking her! It was one of the most intense scenes I had to film and couldn't keep thinking of jumping right in.

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