10:00HDAçıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.
10:00HDAçıklama SCENE opens inside a car late one night. A group of teenagers are headed home from a party. Amy, a shy 18-year-old girl, sits in the backseat beside her best friend Heather. Heather is also 18-years-old but much more mature and flirty than Amy and is occupied by a boy beside her, while another one drives. They all laugh about the party when suddenly, a cop car pulls up behind them and starts flashing its lights. The boy driving tells everyone to be cool and tries to smooth talk the cop when he rolls down the window. But, after reviewing his license and registration, the cop asks the two women to step out of the car. Nervously, they do, and the cop asks them their ages, where they've been, and whether thereare any drugs in the car. Heather is quick to say 'NO' but Amy grabs her and whispers something in her ear. The cop sees this and turns to her, repeating his question. Nervously, Amy mutters that she thinks there might be something in her friend's purse. The cop sneers and turns Heather around, handcuffing her. He informs Heather that he is placing her under arrest and that Amy must accompany them. They will both be getting a citation. The cop then tells the boys to hand him the purse and move along, they can retrieve their girlfriends from the precinct in three hours once they've been written up. The boys looked shocked but scared and do as they're told, driving off and leaving the two girls alone with the officer. Amy clutches the purse tightly. The officer leads the two girls into a house. They both look very confused. 'Where is the police station?' Amy asks, still clutching the purse. The officer removes Heather's handcuffs and casually informs them that he just had to stop at home for something first. He hopes they don't mind and he trusts they won't go anywhere. He leaves the room. Amy rushes over to Heather, who is still rubbing her wrists after having the cuffs removed. 'This feels really weird, Heather.' Amy says. 'Why would a cop take us to his house? In fact, why did he only arrest us in the first place?' Heather, looking nervous, snaps at her friend to be cool. She reminds him that they got arrested because she ratted her out about the purse. The cop comes back into the room with some glasses. He offers the girls a drink and invites them to sit down. He removes his gun holder and rests it on the table before asking to see the purse. Amy tries to protest, asking if he needs a warrant to do this. Heather snaps at her again, smiling at the officer and apologizing for her friend. She grabs the purse and opens it on the table, explaining that she may have some pills that she got from her mother but that's it. The officer spots the pills and asks what kind they are. Heather meekly admits to having amphetamines, pills she took from her mother's medicine cabinet. The cop shakes his head and puts the bag of pills in his pocket. 'Two eighteen-year-old girls caught with their mother's prescriptions,' he says. 'Not only will it get you in trouble with the law, but I would imagine your families will both be very disappointed in you when they find out.' He sips his drink. 'Do they know you were out late at night with older guys?' Amy flushes red and puts her head in her hands. Heather admits to the cops that they had both lied to their parents. The cop laughs to himself, taking another sip. He slips his shoes off. 'You know, the reason I pulled you over in the first place is because we had an alert out on that guy's license plate!' Amy turns to her friend in anger and whispers under her breath that she knew those guys were trouble. Heather shrugs her off and looks at the cop. 'Is there anything we can do to get out of this?' She asks. The cop sits up and studies them both. Heather tries to look brave while Amy shrinks back on the couch, arms folded. 'I probably should just get you both down to the station,' he says. 'Those guys won't be back for you tonight, I know their type, so you'll both probably stay in lockup for a few days before we set a bail hearing.' Amy starts to cry, while Heather tries to comfort her. She asks the cop again if there is anything they can do. 'Well,' the officer says. 'I am a bit of a freak. What would you be willing to do to get out of this?' Heather breathes heavily for a moment before muttering that she can suck his dick. Amy grabs her friend and tells her no, she shouldn't have to do that. Heather tells her it'll be ok, she will get them out of it. She gets down on her knees in front of the cop and asks again ... saying she'll give him a blowjob if he will let them go. He agrees but only if Amy joins in as well.
10:00HDAçıklama SCENE opens inside a car late one night. A group of teenagers are headed home from a party. Amy, a shy 18-year-old girl, sits in the backseat beside her best friend Heather. Heather is also 18-years-old but much more mature and flirty than Amy and is occupied by a boy beside her, while another one drives. They all laugh about the party when suddenly, a cop car pulls up behind them and starts flashing its lights. The boy driving tells everyone to be cool and tries to smooth talk the cop when he rolls down the window. But, after reviewing his license and registration, the cop asks the two women to step out of the car. Nervously, they do, and the cop asks them their ages, where they've been, and whether thereare any drugs in the car. Heather is quick to say 'NO' but Amy grabs her and whispers something in her ear. The cop sees this and turns to her, repeating his question. Nervously, Amy mutters that she thinks there might be something in her friend's purse. The cop sneers and turns Heather around, handcuffing her. He informs Heather that he is placing her under arrest and that Amy must accompany them. They will both be getting a citation. The cop then tells the boys to hand him the purse and move along, they can retrieve their girlfriends from the precinct in three hours once they've been written up. The boys looked shocked but scared and do as they're told, driving off and leaving the two girls alone with the officer. Amy clutches the purse tightly. The officer leads the two girls into a house. They both look very confused. 'Where is the police station?' Amy asks, still clutching the purse. The officer removes Heather's handcuffs and casually informs them that he just had to stop at home for something first. He hopes they don't mind and he trusts they won't go anywhere. He leaves the room. Amy rushes over to Heather, who is still rubbing her wrists after having the cuffs removed. 'This feels really weird, Heather.' Amy says. 'Why would a cop take us to his house? In fact, why did he only arrest us in the first place?' Heather, looking nervous, snaps at her friend to be cool. She reminds him that they got arrested because she ratted her out about the purse. The cop comes back into the room with some glasses. He offers the girls a drink and invites them to sit down. He removes his gun holder and rests it on the table before asking to see the purse. Amy tries to protest, asking if he needs a warrant to do this. Heather snaps at her again, smiling at the officer and apologizing for her friend. She grabs the purse and opens it on the table, explaining that she may have some pills that she got from her mother but that's it. The officer spots the pills and asks what kind they are. Heather meekly admits to having amphetamines, pills she took from her mother's medicine cabinet. The cop shakes his head and puts the bag of pills in his pocket. 'Two eighteen-year-old girls caught with their mother's prescriptions,' he says. 'Not only will it get you in trouble with the law, but I would imagine your families will both be very disappointed in you when they find out.' He sips his drink. 'Do they know you were out late at night with older guys?' Amy flushes red and puts her head in her hands. Heather admits to the cops that they had both lied to their parents. The cop laughs to himself, taking another sip. He slips his shoes off. 'You know, the reason I pulled you over in the first place is because we had an alert out on that guy's license plate!' Amy turns to her friend in anger and whispers under her breath that she knew those guys were trouble. Heather shrugs her off and looks at the cop. 'Is there anything we can do to get out of this?' She asks. The cop sits up and studies them both. Heather tries to look brave while Amy shrinks back on the couch, arms folded. 'I probably should just get you both down to the station,' he says. 'Those guys won't be back for you tonight, I know their type, so you'll both probably stay in lockup for a few days before we set a bail hearing.' Amy starts to cry, while Heather tries to comfort her. She asks the cop again if there is anything they can do. 'Well,' the officer says. 'I am a bit of a freak. What would you be willing to do to get out of this?' Heather breathes heavily for a moment before muttering that she can suck his dick. Amy grabs her friend and tells her no, she shouldn't have to do that. Heather tells her it'll be ok, she will get them out of it. She gets down on her knees in front of the cop and asks again ... saying she'll give him a blowjob if he will let them go. He agrees but only if Amy joins in as well.
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10:00HDAçıklama The camera tracks along a stretch of road, slowly coming upon a teen girl as she lays twitching on the pavement. She is dirty and frothing slightly from the mouth, as the whites of her eyes roll back and she mutters incoherently. Lying beside her is a kit with needles, a spoon, and some unmarked powder. An unmarked cop car pulls up in the distance, its lights flashing. From a dutch angle, we see two officers step out and walk over to the girl. They feel her pulse and root through her pockets to find her wallet. An officer pulls out her ID and notes that she is over 18 years old. Shaking their heads, pick her up and put her in the back seat. As they drive, she slumps over in the back seat. Off camera, you can hear the officers discuss what to do with her. One suggests she spend another night in county to teach her a lesson. The other cuts in, saying it won't work. She'll be back on the streets doing the same shit again. She needs rehab. they should take her over to the sober living house so she can detox. The guy who runs it always has a way with dealing with the lost girls. Maybe he can fix her. They drive off towards the house. Scene cuts to several days later. It's morning. The teen, a small fragile girl named Angie, opens her eyes. The brightness of the room is shocking and she pulls up the covers to block it out. She is naked under the sheets. The door opens and a man enters. He is clean and handsome, carrying a covered tray of food. Angie peeks out and stares at him nervously, slowly realizing that she doesn't know where she is. The man sets the food down and introduces himself as Eric. He runs a sober living house. She looks down and realizes she is naked. She quickly covers herself, asking how she got here and where her clothes are. Eric replies that she had overdosed and the cops who found her had brought her here. She's lucky they didn't put lock her up. She's been in and out for almost 3 days, only waking up when the withdrawal symptoms got too intense. Angie remembers nothing and seems very confused. Eric sits down beside her and gently takes her hand. It's ok, he says. I know what you're going through. I've been there too. He goes on to describe his own experiences with drugs and shows her a 1-year recovery medallion. Sober living worked for me, he reassures her. I've turned my life around. It's all about taking one day at a time. I can help you do the same ... if you trust me. Angie covers her head in her hands, reeling from her symptoms. She asks Eric if he can simply let her go. She doesn't need to be here. Eric reminds her that the cops specifically asked him to take care of her. He doesn't know when they'll be back to check up. He tries to get Angie to open up about her own experience. She confides in him that she is a good girl, with good parents. She just parties a little too much. If he will just let her go, she promises to go home and not do this again. Eric reiterates that the cops are watching him closely and that he has an obligation to rehabilitate the girls who enter his house. Angie starts to cry, as she scrunches the sheets around herself. She begs and pleads with him ... saying she'll do anything to just go home. Eric stares at her for a long time, his eyes occasionally darting back to the covered food tray. I suppose I could make something up if the cops came back ... He says slowly. Angie perks up and continues to beg and thank him. Eric continues to stare, lost in thought. He watches as the sheets scrunched up around Angie start to slouch, exposing her nipples. But if I were to let you go, he continues. You need to make it worth my while. She asks him what he means. Eric edges closer to her on the bed and tells her to drop the sheets. Stunned, she leaps off the bed and makes for the door. It's locked. She tells him to stay back. Calmly, Eric reiterates the situation. Look, I'm not here to do any harm. I'm here to help you. But if you aren't willing to stay here and you want me to cover it up, you are going to need to treat me with a little more respect. I'm simply asking for an exchange. A deal. You're familiar with dealing, right? This descends into a negotiation between Eric and Angie. After protesting, Angie ultimately decides it is worth it to sleep with the counselor in exchange for her early exit. She gives her full, lucid consent.
10:00HDAçıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.
10:00HDAçıklama The camera tracks along a stretch of road, slowly coming upon a teen girl as she lays twitching on the pavement. She is dirty and frothing slightly from the mouth, as the whites of her eyes roll back and she mutters incoherently. Lying beside her is a kit with needles, a spoon, and some unmarked powder. An unmarked cop car pulls up in the distance, its lights flashing. From a dutch angle, we see two officers step out and walk over to the girl. They feel her pulse and root through her pockets to find her wallet. An officer pulls out her ID and notes that she is over 18 years old. Shaking their heads, pick her up and put her in the back seat. As they drive, she slumps over in the back seat. Off camera, you can hear the officers discuss what to do with her. One suggests she spend another night in county to teach her a lesson. The other cuts in, saying it won't work. She'll be back on the streets doing the same shit again. She needs rehab. they should take her over to the sober living house so she can detox. The guy who runs it always has a way with dealing with the lost girls. Maybe he can fix her. They drive off towards the house. Scene cuts to several days later. It's morning. The teen, a small fragile girl named Angie, opens her eyes. The brightness of the room is shocking and she pulls up the covers to block it out. She is naked under the sheets. The door opens and a man enters. He is clean and handsome, carrying a covered tray of food. Angie peeks out and stares at him nervously, slowly realizing that she doesn't know where she is. The man sets the food down and introduces himself as Eric. He runs a sober living house. She looks down and realizes she is naked. She quickly covers herself, asking how she got here and where her clothes are. Eric replies that she had overdosed and the cops who found her had brought her here. She's lucky they didn't put lock her up. She's been in and out for almost 3 days, only waking up when the withdrawal symptoms got too intense. Angie remembers nothing and seems very confused. Eric sits down beside her and gently takes her hand. It's ok, he says. I know what you're going through. I've been there too. He goes on to describe his own experiences with drugs and shows her a 1-year recovery medallion. Sober living worked for me, he reassures her. I've turned my life around. It's all about taking one day at a time. I can help you do the same ... if you trust me. Angie covers her head in her hands, reeling from her symptoms. She asks Eric if he can simply let her go. She doesn't need to be here. Eric reminds her that the cops specifically asked him to take care of her. He doesn't know when they'll be back to check up. He tries to get Angie to open up about her own experience. She confides in him that she is a good girl, with good parents. She just parties a little too much. If he will just let her go, she promises to go home and not do this again. Eric reiterates that the cops are watching him closely and that he has an obligation to rehabilitate the girls who enter his house. Angie starts to cry, as she scrunches the sheets around herself. She begs and pleads with him ... saying she'll do anything to just go home. Eric stares at her for a long time, his eyes occasionally darting back to the covered food tray. I suppose I could make something up if the cops came back ... He says slowly. Angie perks up and continues to beg and thank him. Eric continues to stare, lost in thought. He watches as the sheets scrunched up around Angie start to slouch, exposing her nipples. But if I were to let you go, he continues. You need to make it worth my while. She asks him what he means. Eric edges closer to her on the bed and tells her to drop the sheets. Stunned, she leaps off the bed and makes for the door. It's locked. She tells him to stay back. Calmly, Eric reiterates the situation. Look, I'm not here to do any harm. I'm here to help you. But if you aren't willing to stay here and you want me to cover it up, you are going to need to treat me with a little more respect. I'm simply asking for an exchange. A deal. You're familiar with dealing, right? This descends into a negotiation between Eric and Angie. After protesting, Angie ultimately decides it is worth it to sleep with the counselor in exchange for her early exit. She gives her full, lucid consent.
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10:00HDAçıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.
10:00HDAçıklama Sweet German babe Red Used experiences an intense BDSM session with Smorlow. He'll make her cry and get her cunt dripping wet with his torturing and dominating techniques.
09:00HDAçıklama What am I doing in your bathroom? More like what are you doing with that huge boner?!?! Im your stepdaughter for crying out loud. It's like poking me gross! I guess if fucking me is the only way to get rid of it I have no choice but to help you :) You totally owe me one!
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10:00HDAçıklama Sweet German babe Red Used experiences an intense BDSM session with Smorlow. He'll make her cry and get her cunt dripping wet with his torturing and dominating techniques.
10:00HDAçıklama The camera tracks along a stretch of road, slowly coming upon a teen girl as she lays twitching on the pavement. She is dirty and frothing slightly from the mouth, as the whites of her eyes roll back and she mutters incoherently. Lying beside her is a kit with needles, a spoon, and some unmarked powder. An unmarked cop car pulls up in the distance, its lights flashing. From a dutch angle, we see two officers step out and walk over to the girl. They feel her pulse and root through her pockets to find her wallet. An officer pulls out her ID and notes that she is over 18 years old. Shaking their heads, pick her up and put her in the back seat. As they drive, she slumps over in the back seat. Off camera, you can hear the officers discuss what to do with her. One suggests she spend another night in county to teach her a lesson. The other cuts in, saying it won't work. She'll be back on the streets doing the same shit again. She needs rehab. they should take her over to the sober living house so she can detox. The guy who runs it always has a way with dealing with the lost girls. Maybe he can fix her. They drive off towards the house. Scene cuts to several days later. It's morning. The teen, a small fragile girl named Angie, opens her eyes. The brightness of the room is shocking and she pulls up the covers to block it out. She is naked under the sheets. The door opens and a man enters. He is clean and handsome, carrying a covered tray of food. Angie peeks out and stares at him nervously, slowly realizing that she doesn't know where she is. The man sets the food down and introduces himself as Eric. He runs a sober living house. She looks down and realizes she is naked. She quickly covers herself, asking how she got here and where her clothes are. Eric replies that she had overdosed and the cops who found her had brought her here. She's lucky they didn't put lock her up. She's been in and out for almost 3 days, only waking up when the withdrawal symptoms got too intense. Angie remembers nothing and seems very confused. Eric sits down beside her and gently takes her hand. It's ok, he says. I know what you're going through. I've been there too. He goes on to describe his own experiences with drugs and shows her a 1-year recovery medallion. Sober living worked for me, he reassures her. I've turned my life around. It's all about taking one day at a time. I can help you do the same ... if you trust me. Angie covers her head in her hands, reeling from her symptoms. She asks Eric if he can simply let her go. She doesn't need to be here. Eric reminds her that the cops specifically asked him to take care of her. He doesn't know when they'll be back to check up. He tries to get Angie to open up about her own experience. She confides in him that she is a good girl, with good parents. She just parties a little too much. If he will just let her go, she promises to go home and not do this again. Eric reiterates that the cops are watching him closely and that he has an obligation to rehabilitate the girls who enter his house. Angie starts to cry, as she scrunches the sheets around herself. She begs and pleads with him ... saying she'll do anything to just go home. Eric stares at her for a long time, his eyes occasionally darting back to the covered food tray. I suppose I could make something up if the cops came back ... He says slowly. Angie perks up and continues to beg and thank him. Eric continues to stare, lost in thought. He watches as the sheets scrunched up around Angie start to slouch, exposing her nipples. But if I were to let you go, he continues. You need to make it worth my while. She asks him what he means. Eric edges closer to her on the bed and tells her to drop the sheets. Stunned, she leaps off the bed and makes for the door. It's locked. She tells him to stay back. Calmly, Eric reiterates the situation. Look, I'm not here to do any harm. I'm here to help you. But if you aren't willing to stay here and you want me to cover it up, you are going to need to treat me with a little more respect. I'm simply asking for an exchange. A deal. You're familiar with dealing, right? This descends into a negotiation between Eric and Angie. After protesting, Angie ultimately decides it is worth it to sleep with the counselor in exchange for her early exit. She gives her full, lucid consent.
09:15HDAçıklama Extremely SCREAMING PAINFUL ANAL sex HD 4K Crying teen anal: ass destroyed.
10:00HDAçıklama Sweet German babe Red Used experiences an intense BDSM session with Smorlow. He'll make her cry and get her cunt dripping wet with his torturing and dominating techniques.
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10:00HDAçıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.
10:00HDAçıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.
10:00HDAçıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.
10:00HDAçıklama Mary is this year's special bonus episode for Halloween (the regular update went up yesterday). It's Vince's 1st attempt at doing the whole casting by himself so be gentle. Call center employee Mary doesn't like blowjobs and really, really hates cum on her face but doing porn still sounds like a better option than chirping into the phone about Swedish coffee for a living.To show how much she wants those jobs, Mary does her first anal. Since she's not crying, Vince fucks that virgin ass for a small eternity until he does precisely the thing she hates so much - blast a big load of cum all over her face. Enjoy this creep fest. Nosferatu approved.
10:00HDAçıklama Mary is this year's special bonus episode for Halloween (the regular update went up yesterday). It's Vince's 1st attempt at doing the whole casting by himself so be gentle. Call center employee Mary doesn't like blowjobs and really, really hates cum on her face but doing porn still sounds like a better option than chirping into the phone about Swedish coffee for a living.To show how much she wants those jobs, Mary does her first anal. Since she's not crying, Vince fucks that virgin ass for a small eternity until he does precisely the thing she hates so much - blast a big load of cum all over her face. Enjoy this creep fest. Nosferatu approved.
09:00HDAçıklama Victoria Vargaz was a new babysitter on the scene sent to one of the clubs well established clients. She better not fuck up! He gave her the standard tour of the house and was sure to put extra emphasis on the master bedroom being off limits. Sure enough that was the first room that Victoria went in to, and she noticed a super cute pair of heels that must have been her clients wifes. She decided to try them on and quickly remembered that she sucked at walking in heels. She kept them on to go pour the baby's milk, stumbled, then spilled it everywhere! This was breast milk too. Victoria had to think quick. She whipped out her tit and tried to pump, but before she could even get a out her client returned home catching her bare breasted. He decided to help her, and even showed her how to stimulate the tit and suck out the milk. This got them both turned on, so then Victoria started sucking on his meaty cock. From there she sprawled out on the bed with her skinny body and got pounded like there was no tomorrow! She may have not been able to produce any breast milk, but no need to cry about it! Her client had a whole other case of it, and he ended up even producing a little milk of his own all over Victoria's cute little face! Non dairy of course...
09:00HDAçıklama Victoria Vargaz was a new babysitter on the scene sent to one of the clubs well established clients. She better not fuck up! He gave her the standard tour of the house and was sure to put extra emphasis on the master bedroom being off limits. Sure enough that was the first room that Victoria went in to, and she noticed a super cute pair of heels that must have been her clients wifes. She decided to try them on and quickly remembered that she sucked at walking in heels. She kept them on to go pour the baby's milk, stumbled, then spilled it everywhere! This was breast milk too. Victoria had to think quick. She whipped out her tit and tried to pump, but before she could even get a out her client returned home catching her bare breasted. He decided to help her, and even showed her how to stimulate the tit and suck out the milk. This got them both turned on, so then Victoria started sucking on his meaty cock. From there she sprawled out on the bed with her skinny body and got pounded like there was no tomorrow! She may have not been able to produce any breast milk, but no need to cry about it! Her client had a whole other case of it, and he ended up even producing a little milk of his own all over Victoria's cute little face! Non dairy of course...
09:00HDAçıklama Victoria Vargaz was a new babysitter on the scene sent to one of the clubs well established clients. She better not fuck up! He gave her the standard tour of the house and was sure to put extra emphasis on the master bedroom being off limits. Sure enough that was the first room that Victoria went in to, and she noticed a super cute pair of heels that must have been her clients wifes. She decided to try them on and quickly remembered that she sucked at walking in heels. She kept them on to go pour the baby's milk, stumbled, then spilled it everywhere! This was breast milk too. Victoria had to think quick. She whipped out her tit and tried to pump, but before she could even get a out her client returned home catching her bare breasted. He decided to help her, and even showed her how to stimulate the tit and suck out the milk. This got them both turned on, so then Victoria started sucking on his meaty cock. From there she sprawled out on the bed with her skinny body and got pounded like there was no tomorrow! She may have not been able to produce any breast milk, but no need to cry about it! Her client had a whole other case of it, and he ended up even producing a little milk of his own all over Victoria's cute little face! Non dairy of course...
10:00HDAçıklama Mary is this year's special bonus episode for Halloween (the regular update went up yesterday). It's Vince's 1st attempt at doing the whole casting by himself so be gentle. Call center employee Mary doesn't like blowjobs and really, really hates cum on her face but doing porn still sounds like a better option than chirping into the phone about Swedish coffee for a living.To show how much she wants those jobs, Mary does her first anal. Since she's not crying, Vince fucks that virgin ass for a small eternity until he does precisely the thing she hates so much - blast a big load of cum all over her face. Enjoy this creep fest. Nosferatu approved.
