Library

Açıklama Gorgeous Mariska takes her librarian role very seriously, so she feels the need to guide her students on the right path. The principal, Rick Angel, catches this beauty seducing a young man. She gets spanked, hardcore pussy drilled and ass fucked, then, finally, receives a massive load all over her mouth and tits.

Açıklama The old saying, "two heads are better than one," has never been more true than in this GFR update. This guy got the best of both worlds when his girlfriend agreed to share her best friend with him. So, what started off as an innocent video of the girls doing some yoga moves soon turns into a hardcore threesome. At the time the video was recorded, it looked as if this dude was the luckiest guy in the world. We're not really sure what happened since then but judging from his submission letter, he's not too happy with his now ex-girlfriend or her best friend. He mentions that he doesn't even care to watch the video himself anymore and that he's sure it'll be one of the hottest threesome videos in the GFR library. You be the judge.

Açıklama Many girls adore books about love, pleasures, adventures and sex. This brunette cutie is sweet and gentle and her library is full of romantic books but she still searches for wild sex adventures. Luckily her boyfriend is muscular, strong, brutal and sex-hungry. So, dude undresses the dark-haired sweetie, caresses her small natural tits, long legs, firm butt, as well as her gentle pink pussy. Foreplay seems to be rather sweet and gentle but, once they get to the main course, they reveal all their passion for each other and make hard sex.

Açıklama Whitney Westgate and Richie Black sure are some naughty bookworms. The only thing they're interested in studying is human anatomy. So when they get the library to themselves they go at it like....well, like two hot and horny college students.

Açıklama Need a firm hand? Beneath the hustle and bustle of London exists a secret profession of "Executive Relief Consultants". Professionals for hire to those who want a little bit more from their sex lives. Winner of the Most Sensual Softcore Movie at the 2013 Feminist Porn Awards.

Açıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

Açıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

Açıklama Oh, the joys of being in college! When this Crazy College GFs video started out, we saw a super sexy, redhead, college chick walking through a library. It seemed her boyfriend was getting grabby while filming her, so she offered a truce. If he turned off the camera, she'd flash him. Lucky for us, he didn't. Because we got a great view of those perfect teen tits. But once the naughtiness was unleashed, there was no turning back. Somehow, Emma's BF convinced her to give him a blow job right there in the university library with people just over in the other aisle. Right there, among Hemingway and Steinbeck, Emma dropped to her knees and took that dick down her throat. And even though there were a couple close calls, this couple took it even further and had sex in the middle of the bookshelves. To stay incognito, Emma's BF hit that hot pussy from the back in doggy style while that nice booty pressed up against him. A few times, Emma moaned out, but he had to shush her in order not to get caught. It was absolutely insane! And when the moment came for her man to jizz, they had to get creative, of course, so they grabbed a book and he let that cum flow between the pages. We won't give away the surprise ending. We'll only say it plays out in dramatic fashion. This one was an instant classic that's a must-see!

Açıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

Açıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

Açıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.

Açıklama The scene opens on Bruce, a handsome blue-collar man, as he sits solemnly at the dining room table cracking his knuckles. He is staring blankly at a photo of his wife. The woman died two months earlier after a sudden illness and his family has been devastated, especially his step-daughter Laurie, who went from being a typical happy girl to a distant, resentful stranger. Now, he is waiting for her to come home -- and she is late. Two hours late for their appointment, a session with a therapist that Bruce has arranged in the wake of his wife's death. When she finally returns home, he stands up to confront her but before the man can say anything, Laurie lashes into him. He's not her real father, he can't tell her what to do anymore, she's 18, an adult, she's going to leave any day now. They quickly descend into a screaming match in the living room, where Bruce tries to talk reason with his daughter and she hurls insults and hits him. Finally, he is forced to grab her and pin her down, to stop her tantrum. There is a long, intense pause as they stare, breathing hard, inches from each other. He tells her they are going to this therapist and that's an order. She spits in his face. The father, beside himself, grabs her by the wrist and pulls her outside to the car. Scene cuts to a neatly appointed office. A therapist sits behind her desk, working on a laptop, when there is a knock on the door. She opens it to reveal Bruce, looking defeated, with his angry, tear- stricken daughter beside him. He is still grabbing her wrist. 'Sorry we are late,' he says as she lets them in. The father and daughter sit down as the therapist begins her session. She tells Laurie that she has been counselling Bruce since her mother's untimely passing and that both felt it was important to bring Laurie into the sessions. She asks Bruce to describe to his daughter how he has been feeling since the funeral. Looking down at the floor, Bruce explains his sorrow, especially over the distance he has felt with the girl he raised as his own. It feels as if he lost not just his wife, but his daughter as well. She is so angry that they barely talk anymore and it's tearing him up inside. The therapist asks Laurie to share her feelings. Laurie clams up at first but, after some soothing words by the kind therapist, breaks down and confesses that she secretly hates herself for her mother's death. Bruce is dumbstruck. He tries to comfort her, she didn't cause her mom's illness. But Laurie, crying, tells him that she doesn't hate herself for mom dying, she hates the fact that she secretly wanted her gone. She had wanted her gone for as long as she could remember... all so she could have Bruce to herself. The therapist, who has been calmly taking notes, walks back over to her library and pulls out a book. 'I understand the root of this now,' she says. 'Have either of you heard of the Electra complex?' The shocked family says nothing. 'It's a Neo-Freudian psychological theory, proposed by Carl Jung, about a girl's psychosexual competition with her mother for possession of her father.' Bruce stands up and tries to shut down the conversation, saying it's inappropriate. The therapist advises him to sit and continues. 'The term itself is derived from the Greek myth of Electra. During female psychosexual development, a young girl is initially attached to her mother. Most often, because of the powerful connection of the womb and breastfeeding. But, when she discovers her father (or father figure, in this case) and the fact that his body is different from her own, she develops a sexual attachment to him leading her to sub- consciously want to remove her mother and be with her dad.' Laurie starts laughing nervously. The therapist puts her book away and walks up to Laurie, placing her hand on her shoulder. 'What is making you laugh?' She asks. Laurie tells her she is laughing because it's uncomfortable. 'And what exactly is uncomfortable?' Laurie looks at Bruce in defiance before turning back and telling the therapist that suggesting she fucks her step-dad makes her uncomfortable. The therapist smiles and walks over to Bruce, sitting down in his lap and starting to stroke his face affectionately. Without pause, Laurie jumps up and grabs her. The therapist smiles and steps off, noting that she had just proven her point. Look at how the daughter reacted to competition! This is clearly a case of Electra. She tells Laurie to sit back down and listen: they are going to focus this session on an exercise. To work out her resentment towards her mother and anger at her step-dad, the therapist advises Laurie that she must roleplay as the woman herself. 'Put yourself in the role of your mother. Bruce will be himself. And I will play you.